Wednesday, September 17, 2014

TIFF2014 - Living The Dream - Part Two


And now, after some regular sleep & nourishment, Days 5 - 11.

This Is Where I Leave You - Jason Bateman, Tina Fey, Jane Fonda

I'm always nervous when a favourite book is adapted to screen.  Will they get it right?  Will they get it at all?  Jonathan Tropper has quickly become one of my favourite authors and it all started with This Is Where I Leave You, a story, at its core, about a large family dealing with death and life and everything in between.  The tone is wry.  Sarcastic.  But underneath is a foundation of love and understanding - the kind you only get with your family.  The film gets it all so right.  "Real life" is the hardest of genres to master, but with a crisp script (penned by Tropper himself) and perfectly cast ensemble this one is pitch perfect.  I laughed just as hard as I cried.  That's life, right?

Cake - Jennifer Aniston

Aniston tried her hand once again (remember The Good Girl) at gritty realism.  She nails it.  While the film itself dragged a bit, there is no question that Jen can act and she's the best thing about this movie.  She's simply amazing sand I hope she keeps it going - regardless of her impeccable comedic timing, I don't want her to star in another dumb dumb romcom with *fill in the hunk of the moment*  ever EVER again.

Foxcatcher - Channing Tatum, Steve Carrell, Mark Ruffalo

This was the film coming into TIFF with the most buzz, and for good reason.  Telling the peculiar real life story of John E DuPont,  his relationship with US Wrestling, the Shultz brothers and, most importantly, his own mother, Foxcatcher is compelling.  Tatum & Ruffalo are excellent as the Olympic medal winning Shultz brothers but the real breakout here is Carrell as DuPont.  Known of course for comedic roles, Carrell shows some serious acting chops in this one and almost disappears in the role.  Overall, the film was good but it needed a few tie in scenes to fill some holes in the narrative.  A note also, after a week away from it, is that the direction itself felt a bit detached - like everyone knew they were making "an important movie" but forgot to put the ingredients in there to make us care.  

Rosewater - Gael Garcia Bernal

Talk about ambitious.  Jon Stewart, arguably America's greatest satirist, decides to direct his first movie and he chooses this?!  Rosewater tells the true story of journalist Maziar Bahari who was detained in Iran for more than 100 days and brutally interrogated while in prison.  Multiple locations, cast of thousands,  complex story - this is no first time out cake walk.  At times, we felt almost as overwhelmed as Stewart.  The film could have used a sharper edit and perhaps some contrasting point of view scenes, but overall a solid first time effort for a guy not willing to rest on his laurels and phone it in.  

License to Drive - Ben Kingsley, Patricia Clarkson

Simple stories are the best stories.  When they come to life by two powerhouse acting talents, they make for the best movies.  This was a charmer from start to finish.  Loved it.

Imitation Game - Benedict Cumberbatch, Keira Knightly

This was the movie I was waiting for.   Story here focuses on English mathematician Alan Turing as he, along with his team, try to crack the Enigma code during World War 2.  The historical significance of this feat is enormous - our lives would not be the same had Turing not succeeded - and while, obviously, the filmmakers know that, they don't beat us down with it.  They outlay the story in a sort of thriller - lite format, simultaneously moving from the end AND beginning until we reach the thrill point together. Turing is widely considered the father of the modern day computer, a ridiculous genius persecuted years after the war because of his homosexuality.  This additional layer adds a sense of timeliness to the already grand magnitude of this story.  

Mommy - Anne Dorval, Suzanne Clement, Antoine Pilon

At the ripe old age of 25 (yes, 25!), Xavier Dolan has written & directed 6 films all of which have been critically acclaimed.  This, his latest, won the Jury Prize at Cannes.  GUYS, HE'S 25.  Regardless of whether or not you like his particular type of movie, you must applaud his confidence.  Every shot of Mommy had a purpose.  Every scene an emotional impact.  I'm not sure where a funny and charming kid (GUYS, HE'S 25!) comes up with these dark & delicious stories (oh, did I mention he writes his own screenplays too??!), but that's no matter.  I just want this boy wonder to keep making them.

A Second Chance - Nikolaj Coster - Waldeau

A tale of desperate decency which asks how far we will go to maintain the life we think we deserve.  At every point in this exceptional film we are asked to question our prejudices and seek, murkily, our own moral compass.  We appease our sense of 'right',  but is it right?  Are we right?  Can doing the wrong thing for the right reasons be okay?  What if those right reasons aren't what we thought they were?   At the core of this moral conundrum is Nikolaj Coster - Waldeau in a most brilliant performance full of strength, desperation and, yes, decency.

Maps to the Stars - Julianne Moore, John Cusack

I don't know.  I think this one was rather goofy.  I loved Julianne - how can you not always love Julianne - but the intertwined storyline, and main storyline, fell off the rails for me pretty quick in this one.  A supposed commentary on Hollywood, this fell flat & empty all around.

Elephant Song - Xavier Dolan, Bruce Greenwood, Catherine Keener

Oh, yeah, XAVIER CAN ACT TOO.  Quiet film with a simple story that's all about the acting.  Dolan is mesmerizing as a psychiatric patient with a secret, Greenwood solid as the Doc looking for answers.  The game of chess between them is tense and hypnotic.  

Still Alice - Julianne Moore, Alec Baldwin

Telling the story of a brilliant woman's descent into early-onset Alzheimer's, this was the movie of the Festival for me.  Julianne Moore's nuanced portrayal is mainly why, but the tone of this film and it's harrowing - yes, harrowing - realism make it at once difficult to watch and completely mesmerizing.  This could happen to anyone.  It's happening right now.  Will it happen to you?  After I somewhat composed myself and made my way to the washroom after the film, I found myself spontaneously bursting into tears again.  I might just now.

50 Year Argument

A brilliant documentary detailing the history of the New York Review of Books.  Admittedly, knowing co-director Martin Scorsese was going to be in town for the screening was the main reason this film was on the docket.  A sweet love letter to discourse and a wonderful story about the sensuousness of ideas, and how they shaped our modern world.  Marty, of course, doesn't like "straight up documentaries", so this one unfolded in a unique way.  Also in town for the screening was founding and current editor Robert Silvers - still going strong at 84, he flew in specifically for the Q&A.

Pawn Sacrifice - Tobey Maguire, Liev Schreiber

American chess maestro Bobby Fischer squares off against his Russian counterpart Boris Spassky in the 1972 "Match of the Century".  Really solid biopic that weaved a very complex political landscape into the life story of one of America's most enigmatic figures.  Tobey's portrayal of Bobby - a complex jerk of a genius dealing with paranoid hallucinations and perhaps an undiagnosed mental illness - was excellent and while I wish Liev had more to do, this wasn't his story.

Before We Go - Chris Evans, Alice Eve

Let it be said here that no one should ever, ever, ever try to make another Before Sunrise.   The film, and its two continuations, were lightening in a bottle and any attempt to recreate that time, story, chemistry, everything, will undoubtedly fail.  Before We Go tries.  Very hard.  We replace Vienna with New York and conjure a stilted premise to get the ball rolling, but in the end we don't care enough about all too perfect Nick, who says and does ONLY the right things and thus is never real, and confused and sometimes bitchy Brooke.  Before We Go is Chris Evans directorial debut and it's a solid effort.  There are redeeming moments and I think Chris can put away his Captain America shield for work a bit more meaty, but maybe not with a magical premise that should never, ever, ever be tampered with.  Ever.

Hill of Freedom - Ryo Kase

Do you ever have a thing, where you watch a movie and you're laughing but you're not sure if you should be?  Like, is this absurd or high level cinematic achievement that I'm just too stupid to understand?  I laughed SO MUCH in Hill of Freedom.  How could you not with dialogue like this:  "I went to your place.  It is close to my place.  I like my place.  I waited for you.  You did not come.  I went back to my place."  I'm not joking.  At 66 minutes long, I'm not sure how this even qualified as a full length feature, but with dialogue like that, I guess I should be thankful it wasn't any longer.

Adult Beginners - Nick Kroll, Rose Byrne, Bobby Cannavale

Super sweet, yet not too twee, story which asks the age old question of whether we can "go home again".  Great ensemble, sharp writing, and just as many laughs as tears.

Meet Me In Montenegro - Alex Holdridge, Linnea Saasen

First time director Holdridge films the story of how he and Linnea met.  It's so sweet.  And they are delightful and charming and oh so cute.  I loved the unique cutaways to Holdridge's doodle work and voiceovers, both which helped move along the story.  Ultimately, this is a really simple tale of a guy dealing with the reality of his life and principles when that fucker called love tries to get in the way.

A Little Chaos - Kate Winslet, Matthias Schoenarts, Alan Rickman

I love me a period piece and A Little Chaos hits all the necessary high notes - sumptuous scenery, luscious costumes, solid acting and an interesting story.  Kate's back to almost drowning in a corset, Alan's up to his misunderstood villainous self and Matthias smoulders.  Not perfect by any stretch but highly enjoyable.  Quite.

New Girlfriend - Romain Duris, Anais Demoustier

Remember the time when your bestie died and her husband started cross dressing to feel closer to her, and then you become attached to his cross dressing self because it reminded you of your bestie?  SO preposterous.  But often times preposterous premises make the most delightful movies, unfortunately, this isn't one of those times.  Frustrating in its failed potential, for some reason New Girlfriend felt sort of stale.  Maybe because they kept using the word 'tranny'?!

X + Y - Sally Hawkins, Asa Butterfield

I really wanted to love this, but it just fell flat.  And not because it's about math, or because it was number 30 of 31.  It was just hard to connect to young Nathan, diagnosed as being on the autism spectrum early in his life.  He has a hard time relating to people and finds his way in the world amidst numbers & formulas and maths (for the Brits, it's mathS).  All's well and good, and I get it but Nathan was written, and ultimately portrayed, with little redemption, care or feeling - he was just as detached to us as he was with the rest of the world.  I wanted to care about him, but that's not enough.  As they say in some think tanks - it just didn't add up.  ;)

1001 Grams - Ane Dahl Torp, Laurent Stocker

A recently divorced work obsessed lab technician goes off to Paris.  Hilarity ensues.  Well, not quite.  But, she has some fun and is shaken out of her routine obsessed life and finds she's not so bad at rolling with the punches.  I liked this one - it was slowly paced but visually beautiful.

And that's what they call .... A WRAP.













Monday, September 8, 2014

TIFF2014 - Living The Dream


Indeed, Indeed.

It's the most wonderful time of the year and this year of years is THE year.  

Without the daily grind to hold me back I'm diving head first into the deep end, saying yes to everything but sleep on my way to becoming a certified film & life lunatic by next Sunday.  But we'll deal with that me then.  For now, it's TIFF immersion as I volunteer (clap extra hard for me, please!)  for the first time AND see 31 movies over the course of ten days.  

Why not?  What the hell else do I have to do?!

Blogging will be fast & furious, as without the daily grind I eluded to earlier, the sense of "having to do" anything at all has eluded me for a couple months now.  It's glorious.  And freeing. And so anti-me it's rather scary.  Scarier still that I really, really like it.  I recommend  it to everyone - good for the heart, soul & mind.  So if you're looking for something a bit more consistent, why not follow me on Twitter, where I will be espousing extremely mini reviews on the regular.


For the more verbose, I give you Days 1 through 4: 

The Humbling - Al Pacino, Greta Gerwig

I didn't want to see this movie.  I'm done with the old guy / young girl love story.  Done with it in the real life and in the movie life.  DONE.  But.  I'm not all that stubborn when it comes to joining a party and I wanted to be with my girls.  I didn't hate this movie because hate is a word we must save for special occasions, but I sure didn't really like it very much.  It was so confused - pick a genre, any genre!   I love Greta Gerwig so much and now I love her just a tad less and I'm blaming this movie for that.  I'm blaming this movie for making me focus on Al Pacino's oddball hairdo for two hours (like I already haven't done that enough in the Phil Spector story?!).  This isn't the way I wanted to start off TIFF2014, but you can't win them all I guess ...

Mary Kom - Priyanka Chopra

I love sports movies.  Underdogs, cliches, last plays of the game - all of it, I'm all in.   It pains me to say that this was one of the worst sports movies I've ever seen.  It was overwrought, amateur,  terribly scored, long and repetitive.  Aside from the fact that the smoking hot (hey, even Cameron Bailey said so!) Priyanka Chopra played her, this film really let Mary Kom down.  

Clouds Of Sils Maria - Juliette Binoche, Kristen Stewart

Finally!  A good movie!  No.  A GREAT ONE.  I loved this movie so much.  Juliette Binoche was absolutely perfect portraying an actress coming to terms with ageing in this very meta piece co-starring Kristen Stewart.   Stewart finally moves beyond her one note scowl face and really delivers here.  The acting was so natural that at times I felt like I was watching a documentary.  Incredible scenery and perfectly paced.  I loved it.  Did I mention that I loved it?

Welcome to Me - Kristen Wiig

Wiig portrays a woman with borderline personality disorder who wins 80 million bucks and buys an Oprah-esque TV show for herself.  Cute premise, sure, but after awhile I felt like I was watching yet another way too long SNL sketch.  The film tried to tackle the severity of mental illness (as per the Q&A) but without a proper foundation backstory for Wiig's character, the film felt like it was playing for cheap laughs.  I was entertained, but I wasn't entirely connected.

The Drop - Tom Hardy, James Gandolfini

It's the script, stupid.  Thank you Dennis Lehane (Shutter Island, Mystic River and so many more) for adapting your book to screen.  This was a sly, clever crime drama that surprises you with its calm.  Stellar performances,  including of course the last one by the great James Gandolfini.  A really terrific film and I'm not even going to get into the marvel that is Tom Hardy.  Like, holy shit Tom Hardy.

Preggoland - Sonja Bennett, James Caan

Oh, what silly fun!  A late 30s loser is ostracized by her married with kids high school buds, so she pretends she's pregnant to fit in.  Really silly.  Really fun.  Really possible.  But maybe not the jello.  

St Vincent - Bill Murray, Melissa McCarthy

I've always disliked movies that try too hard to get you to like them.  They're over emotional and a bit cloying and just push your buttons in such a way that you have no choice but to feel the way the director wants you to feel.  That's what I thought I was walking into with St Vincent.  And truthfully, I DID end up feeling exactly how I was 'supposed' to, but by some sheer point of magic I am totally okay with it.  This film was so touching and poignant and funny and dare I say charming that it rose well above the schmaltz factor.  Bill Murray returns to fine perfection and everyone else is pretty great too.  Did I cry?  Of course I cried.  You think I'm made of stone or something?

Guidance - Pat Mills

This is my second mini - budget Canadian Comedy at TIFF (Preggoland being the first) and can I say, YEAY Canada!  Guidance was ridiculous.  And silly.  And absurd.  And very, very good.   Pat Mills wrote, directed & starred in what was basically a one man show.  A host of Second City vets round out the cast.

Riot Club - Max Irons, Sam Clafin

Boys Behaving Badly?  ok!  Posh British Boys Behaving Badly?  hell, yes!  Brilliantly disturbing inside view of the world of secret university clubs, this one at Oxford and full of all the pomp and privilege you'd expect.  Great cast of British semi-knowns who soon will be very well knowns.

Miss Julie - Jessica Chastain, Colin Farrell, Samantha Morton

Damn I wanted to love this.  I liked it, I guess.  Adapted from the August Strindberg play, the film remained very true to the text.  The action is slight and the premise tight but overall somewhat long and slow.  Maybe it should have stayed a play?  That said, Jessica, Colin & Samantha were all incredible - remarkable, really.


10 down, 21 to go .... Onwards!  





Sunday, September 7, 2014

Z is for ..

... Zip.


Let's properly conclude my stream of consciousness alphabet word blog post idea generator game, okay?

Z is for zip and I want y'all to ZIP through this little post so you can get to the next post which is really the one you've been waiting for.  I know, I know.  I know you know.  I know you know I know.

Let's get on with it!

Z is for Zip.